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While reporting at sea, journalist Ian Urbina, of the New York Times, built an audio library of field recordings featuring a variety of textured and often rhythmic sounds, from machine-gun fire on the coast of Somalia to chanting from captive deckhands on the South China Sea. Inspired by the reporting, artists from around the world created EPs sampling sound clips from Urbina’s archive, integrating them into their respective genre. Each EP artwork uses photography Urbina’s team captured at sea, beautifully illustrating the reporting.